Before globalization, most of our Indian companies were run by families of Lala and Seths.They do not give preference to talent and people always end up doing Ji Huzoori, unless fresh talent happened to be connected. After opening of market,not many of those companies survived. Same story can be projected here. Barring few, not many will survive in bollywood in coming future. Times are changing.
Film making has became family business here. The bitter truth is that Bollywood of late has become Fortress Bollywood, shutting off its doors to non-filmi people. They are leaving out a wide section of society aspiring their career in this line.
Family rules despite lack of talent.
Bollywood is full of star parevaar like mafia families of 'The Godfather'.The Kapoors. The Deols. The Bachchans. The Roshans. The Khans. The Bollywood firmament is crowded with stars with the same surname. Apart from perpetuating fan following across generations, they make wonderfully symmetrical photo ops at the film magazines,awards and entertainment channels. Kumar Gaurav, Rajeev Goswami, Kunal Goswami, Suneil Anand, Faisal Khan, Pururaj Kumar, Sanjay Kapoor, Armaan Kohli & Uday Chopra... (the list continues) for those family members who fails in achieving goodwill of Indian public. Otherwise scenario would have been different and worse. Launch and relaunch of them through various means is well spread epidemic of our Bollywood.
Now let us talk about film makers.There is an entire breed of young directors who have been born into film families, the well-networked families and have easy access to almost the entire talent that the Indian film industry has to offer. what new talent have they given us? They take an SRK when he is a star. Not the SRK of 1991,the struggler one....
People with connections, rich dads, beautiful faces, pedigree find it easier to make in Bollywood. Kowtowing is performed and rumors of social service to acquire a role is always heard here. Any hero/heroine without Godfather or Sugar Daddy cannot stand in the rat race of fame and glory. Stereotype casting of good actors is waste of huge talent. Bollywood is full of babes. Every Miss India winner these days has a fair shot at making it in tinsel town if she keeps off the potato chips. Otherwise, there is enough demand from makers of hot & remix music videos.Ash - often denounced as 'plastic' and 'facile - indeed became a pioneer even though within a shabbily maintained bollywood standard of things.She has now become face of the nation and currently work with B grade directors of Hollywood and media (only Indian) creates the myth of her charm over firangees.
New wave in Bollywood
Today Mahesh Bhatt and RGV can be credited for bringing new talent on and off the screen. Aside: Whatever Ramgopal Varma may have degenerated today, he must be commended respect for giving break to all the newcomers. At the height of his career, the factory of RGV had consistently backed fresh talents in each aspect of film making.
Riskbearer Directors are hard breed to find these days but some directors are ready to experiment like hell. Some take their own time. New directors are projecting the globalization Hindi cinema and the liberalization of India. Never will quality cinema can take place of mainstream cinema or vice-versa.But for the growth of Indian cinema, the experimentation is necessary. Anurag Kashyap, Abbas Tyrewala, Raju Hirani, Vishal Bhardwaj, Rakeysh Mehra, Shimit Amin, Nagesh Kukkunoor, Dibaker Banerjee and Sriram Raghvan are the new talents to be watched in the future.
The Middle Path
When Vishal Bharadwaj makes a rural film (Omkara) with big stars, he beautifully mixed Deepak with Saif, Ajay, Kareena, Konkona and gang. How he took Shweta in Makdee. How, after the success of Hyderabad Blues, Nagesh chose to work with a newcomer in the lead role and wonderfully added Naseer as a support. This is the right way for our cinema.
Admiration of off-beat films with new faces and experiments are expected from this industry. The wonders of a Pankaj Kapur, Pavan Malhotra, Manoj Bajpai, Ranvir Shorey, Deepak Dobriyal or a rank, bloody-talented newcomer is still untapped for world cinema viewers. Some as-yet faceless cinephiles in some deep pockets of India can screw their heads and ask why? Unfairness - this is hardest to deal with, but unfortunately that is how our country works,not just only bollywood. Hence, luck and chance are needed for new comers with talent.
And if all else fails, there is the one-liner of the decade for the sarcasm. The man who worked with stars only,Karan Johar: comes on the Filmfare Awards stage and says, "Heere ka kadar sirf johri kar sakta hain. Aur hero ka kadar sirf Johar hi kar sakta hain..."
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