Sparsh

“To travel,” Aldous Huxley once quipped, “is to discover that everyone is wrong about other countries.” “That is the American Dream: to make your life into something you can sell. — Chuck Palahniuk” ~Highly Recommended~ ~Worth a Look~ The Lottery of Birth: On Inherited Social Inequalities - Namit Arora Execution Premium - Robert S. Kaplan ~Pleasure Reading~ Origin (Robert Langdon, #5) - Dan    Brown Sidney Sheldon's Angel of the Dark - Tilly Bagshawe The Legend of Virinara - Usha Alexander Fathers and Sons - Ivan Turgenev The Great Indian Obsession: The Untold Story of India's Engineers  - Adhitya Iyer The One-Straw Revolution Masanobu Fukuoka 3 ~Avoid~

Pankaj Sikka— an LA-based IT entrepreneur who wrote under the pseudonym “ Oz ”—started PassionForCinema.com (PFC) at a time when blogging was still relatively unknown in the Indian movie industry, and the site quickly grew from a founder-led initiative into a much larger, constantly active online cinema community. Contemporary reporting described PFC as an online group where geography felt meaningless and the “chemistry” came from a potent mix of cinema obsession and industry talk, with participation spanning India and NRIs across time zones and the site humming with activity round the clock.  PFC was not just a movie review site. It was an open space where people could freely share opinions, argue, and discuss films. PFC gave film fans a place to talk seriously about movies, and for many people it helped them get more deeply interested in filmmaking and film culture. filmmakers and film personalities use the platform to talk up their work or spark discussion around it: Shivaji Cha...

सूचना: तीन ताल पॉडकास्ट से इंस्पायर्ड और  नॉस्टैल्जिक  होकर मैं 90s को लिख रहा हूं। 90s नॉस्टैल्जिया: एंटीना, केबल और एक पूरा बचपन नामक ब्लॉग पोस्ट पहले भी लिखा है और आगे भी ९० के दशक ( अपने बचपन) को  कलमबद्ध करने का इरादा है | 90 के दशक की हिंदी कॉमिक्स बच्चों और किशोरों की पढ़ाई-लिखाई के साथ-साथ उनकी कल्पनाशील दुनिया का अहम हिस्सा थीं। राज, डायमंड, तुलसी, मनोज और इंद्रजाल जैसे ब्रांडों ने सैकड़ों चरित्रों की परिघणा खड़ी की — सुपरपावर, जासूसी, जादू, लोककथात्मक तत्व और नैतिकता से जुड़े बेहतरीन मिश्रण के साथ। इन कॉमिक्स ने न केवल मनोरंजन दिया बल्कि पाठक समुदायों में साझा संस्कृति, किराये पर किताबों की परंपरा और लोककथाओं के नये रूपों को भी जन्म दिया। इस लेख में मैं उन प्रमुख ब्रांड्स, मुख्य पात्रों, विषय-रुझानों और सामाजिक प्रभावों का समग्र विवेचन कर रहा हूँ। राज कॉमिक्स राज कॉमिक्स 1980s–90s के दशक में सबसे बड़ी और प्रभावशाली पब्लिशिंग हाउसों में से एक था। भारतीय सुपरहीरो के पिता कहे जाने वाले संजय गुप्ता ने सुपरहीरो किरदारों को  बनाया।  यहाँ 50 से अधिक पात्र जन्म...

In the brief prose piece, The Four Cycles, Jorge Luis Borges wrote that there are only four stories in the world: the story of war, the story of return, the story of search, and the story of sacrifice (Troy, Ulysses, Jason, Christ). If Borges is right, then literature is not a museum of endless novelty so much as a chamber of recurring forms. What changes is not the underlying plot of human life, but the cultural machinery that gives those plots their authority—what makes war feel righteous, return feel inevitable, search feel sacred, sacrifice feel meaningful. That machinery is very often myth. Rich cultures—with their myths, religious narratives, heroic histories, and rituals—offer especially thick symbolic resources to legitimize rule, sacralize authority, and frame dissent as betrayal of the civilization itself. Mythical stories such as these refuse to see the past as fundamentally different from the present. People accept and assimilate myths, they act on the myths, and the myths ...

Note: The following post is taken from the archives of  PassionForCinema.com , a much-loved platform for cinema enthusiasts. This is being republished here in the spirit of archiving, historical significance, and sharing important conversations with the readers who may not have had access to the original site. The author of the post is Rk, who published the post on June 22, 2007 at 6:42 am Amrish Puri:   Birth  – 22nd June 1932,  Death  – 12 January 2005 What was contribution of  Amrish Puri  in Hindi films, can be understood by the fact that if someone who has been watching hindi films regularly and if he closes his eyes then he will be able to recall at least 20-25 films where he liked  Amrish Puri  very much. This is a fantastic achievement which very few actors can get. Remembering him and his films are chain reactions. Recall his  Hum Panch  and it will lead to  Ashanti  or  Saja-e-Kala Pani  or snake charme...

24 जुलाई 2015 के दिन रिलीज़ हुई एक बहुत ख़ास फ़िल्म। आज दस साल पूरे हो गए मसान के। ये बहुत प्यारी फ़िल्म है। और बहुत ज़रूरी फ़िल्म भी है। नीरज घायवान ने इस फ़िल्म को डायरेक्ट किया था। और वरुण ग्रोवर ने कहानी और गीत लिखे थे। मसान का संगीत इंडियन ओशन बैंड द्वारा रचित है, जो अपनी फ्यूजन शैली के लिए जाना जाता है। सबसे पहले, वरुण जी और नीरज जी ग़ज़ब गुरु! कोटि कोटि प्रणाम! मसान शब्द का शाब्दिक अर्थ है "श्मशान"। यह वह स्थान है जो मृत्यु और अंतिम संस्कार से जुड़ा होता है, और यह जीवन के अनश्वर होने का प्रतीक भी माना जाता है। फिल्म "मसान" बनारस के जीवन और मृत्यु के बीच समाज की दो अलग-अलग कहानियों को बताती है और सामाजिक जटिलताओं को दर्शाती है। पर बनारस ही क्यों? बनारस, जहां मृत्यु केवल शोक नहीं है, यह एक उत्सव है और मसान विश्रामस्थली मानी जाती है। मसान की गोद में एक ज़िंदा थकान। जब ज़िंदगी थका दे, तो मसान ही आरामगाह है। यहीं तो चिता की राख से होली मनाई जाती है, जहाँ अंत में भी एक नया आरंभ झलकता है। इस फिल्म में दो मुख्य कहानियां हैं—एक कहानी देवी की है, और दूसरी कहानी दीपक की...

Mukiwa: A White Boy in Africa by Peter Godwin Mukiwa: A White Boy in Africa | Goodreads ⭐⭐⭐⭐✰ Worth Reading Rhodesia in the 1970s stands as one of history's most intriguing anomalies—a fully functioning economy, internationally isolated, ruled by a tiny white minority of about 7% who controlled the government, military, and economy while disenfranchising the 93% Black majority.  The book  that captures this paradox at its core, portraying a state born from defiance: in 1965, the white minority government unilaterally declared independence (UDI) from Britain, rechristening itself Rhodesia.  Rhodesia practiced white minority rule with a veneer of civility, a "multiracial" facade that fooled no one. Black people knew there was no path to reform; whites knew majority rule was inevitable. It was rotten from the start, a losing battle against the tide of history. The 1970s Bush War escalated into terrorism, cross-border incursions from Mozambique, and full civil war. In the en...

Note: The following post is taken from the archives of PassionForCinema.com , a much-loved platform for cinema enthusiasts. This is being republished here in the spirit of archiving, historical significance, and sharing important conversations with the readers who may not have had access to the original site. The author of the post is Shailesh Limbachiya, who published the post on June 28, 2007, at 11:45 pm. Yes, I know this site is for cinema only, but Doordarshan is the birthplace of some of the today's successful personalities of Indian cinema so Let myself be 10 years old and get back to late 80s and early 90s- the era of Doordarshan. The one and only daily entertainment dose of every Indian. Let's check out some goods and bads of Doordarshan and our memory power. Most of the serials were of 13 episodes and so people were associated with character for 2-3 months and it made more concentrated and sensible serials. - Ramayan and Mahabharat - how can we mention doordarshan w...

The Complete Persepolis  - Marjane Satrapi The Complete Persepolis  | Goodreads ⭐⭐⭐⭐✰ Worth Reading Marjane Satrapi's internationally acclaimed memoir-in-comic-strips,  Persepolis is a powerful autobiographical story about growing up in Iran during the fall of Mohammad Reza Shah Pahlavi and the rise of a strict Islamic government after the Islamic Revolution . The story is told through the eyes of a girl child, which makes complex political events simple, emotional and deeply relatable. Through this young perspective, Satrapi shows how everyday life was shaped by fear, change, and uncertainty. Satrapi’s visual storytelling is deceptively simple, using stark black‑and‑white illustrations and concise narration to mirror the moral clarity and confusion of growing up during Iran’s Islamic Revolution. Satrapi skillfully mixes funny moments with serious ones to show how people survived difficult times under both regimes. This minimalist style allows ordinary moments from ...

तीन ताल के सभी साथियों को जय हो, जय हो, जय हो! भाई, तीन ताल में कमेंट पब्लिश होते ही मज़ा आ गया! इतनी प्रतीक्षा के बाद ये पल जैसे अमृत तुल्य लग रहा। सरपंच ने लल्लनटॉप छोड़ दिया है और सरदार को कुर्सी मिल गई है... परिवर्तन जगत का नियम है। सरदार संभवतः योग्य हैं मुझे उनमें ठहराव सरपंच से ज्यादा दिखता है!