Swades:5 years onward...

Swades:We, the people(2004)
...aka Desam (2004) (India: Tamil title: dubbed version)
...aka Our Country (2004) (International: English title) (USA)

Swades is a kind of movie which grows bit by bit after watching every time…
Personally,anything good spoken about Swades is less;For me its SRK’s career best till date. I did not watch it with the help of download culture of college but walked into theater for first show. I walk out of the hall being a different person. Three hour feels like a journey for rediscovering of own roots.

A masterpiece in Indian Cinema;Why?
Cinema is an art. Art express truth by false symbols. It tells us about abstract ideas or ground reality through eyes of filmmaker. Film is technical artistic medium. Art provokes our thinking and emotion.The medium can be cinema, literature or painting. It brings a change in our thinking pattern and view of the world. Swades has changed the life of various NRI and they return to India for making it a better place. It pushed a idea of change into practical reality. Change offered by film on society should be fundamental criteria for evaluation of movie. But most critics venture into land of surrealism, not reality.

This movie is simple story devoid of all makeup required for a beauty of movie. It is a cinema of documentary style but simplicity was its high point. It was not well received at box-office as people were not yet over with Lagaan hangover. It connected very well with the NRI audience because it was narrated through their perspective.

Movie deals with problem of India and Indians: We the people.
There are no iconic or mythological representation of hero or villain in this movie. There is no mind twisting plot or hostage situation. The characters are real and no larger than life concept is introduced. It is a story of protagonist return to his native land. His views are evolving by becoming part of the ground realities and a feel of self realization. The conditions surrounding characters are not only in reel life but exist in our real life. Person in the movie turns from a esteemed position to push society for overall development, not only growth of few elite or privileged groups within society.

Mostly in typical bollywood movies, filmmakers tries to issue a problem and then gives a fictional/innovative solution. Most of the solution provided by them are violent and abrupt. Every film exaggerate the situation and points few people as villains. They eliminate them by violent means in the end and establishment of ramrajya/utopia is presented to viewers. Just Pure hypothesis and spoon feed of escapism. There are ups and downs but a consistent gradual change is missing. The world is not simply black or white but has a variable shades of grey in each individual's action or words. It makes the world more puzzling and perplexing choice between right or wrong. Hence, most of the films fails to reflect the facts and became propaganda of fictional solution.

They only move society for revolt against corrupt system. Revolt is not the solution but a zenith phase to dismantle old system. The working of new system will again fall into the persons with different faces but same thinking patterns. An individual revolt against the working system because he has nowhere to run or hide. He is suppressed or tortured and with all resources, hope is taken out from his life. He is pushed for the last option: Revolution. Rebel person lives on fringes and he fights for survival not living. Still the eternal recurrence of problems occur in society because the solutions are not accepted by the people. But a stable society needs to flourish where an individual and his thinking not just exist but also grow.

Several movies left vivid influence on ours life. But they exist just as an idea in the trenches of memory. They are only used in philosophical/cinematic discussion. Only dialogue spitting from commercial films are widely accepted by masses and idea of struggle against unjust system excite the intellects. Talks only,no implementation....

Remember, Swades is the next generation of cinema.Why?
We have to remember that tall peaks are not always better than long plateaus as true greatness must include protracted excellence. Its a consistent and gradual path of self realization.

Swades is the new level of maturity in our views. It tries to reform the society not by guns but by education, awareness and rebuilding infrastructure. The reformation is more essential for growth of society and civilization. It helps in eliminating unjust laws and orthodox tradition by non violent methods. This movie does not enforce mutation but offers a gradual evolution in our view toward cinema, life and everything. It is middle of path movie which is neither artistic nor typical bollywood. It was not a pardesi venture of Brit/American/NRI but swadesi attempt by Mr. Ashutosh Gowariker and heavy accolades to him for his sincere efforts........

For better depth of discussion go through this weblink on pfc.

THE DELHI MANIFESTO

I have got a mail from the Nitesh;It was a manifesto about Indian cinema and cinephiles.;
Content---
Our manifesto is up on Indian Cinema, do read it chip in your support and spread the word. The more we can gather over the months will help in the cause of seeing cinema in the right direction.
Original Link
THE DELHI MANIFESTO

• Our cinema screen has become an ill-constructed, and conventional portal to a world we aspire of, rather than a mirror, which reflects us.

• Our emotions are guided by leitmotifs placed deftly, and religious beliefs exploited.

• Our spirit of inquiry has become dead and we have been reduced to mere receivers in the process.

• Cinema and television has replaced interaction with imposition of thought. Its thought. An artificial, fake and ill-created thought, a manifestation of our needs to escape ourselves.

• The medium has become a symbol of cheap entertainment, devoid of any examination of the form, and a victim of our collective need to create personalities, perfect alternate universes, and images of our aspiration.

• Our criticism has become trivial. Stories take precedent over the intrinsic qualities of the cinematic medium.

• Our film lovers are snobs, indulging in their wholehearted pseudo-intellectual diatribe, condemning the ignorant, and the ignorant have become so used to a cinema that’s meager that they are satiated with films from the West.

• Our parallel offerings remain strictly entrenched in the tradition of the mainstream, and hence, are versions of the same, rather than its replacements

We reject a system that encourages the above, despite its realization, and seek:-

a) To incite discussion on the possibilities, limitations and viability of the application of the auteur theory as a critical prism.

b) To use criticism and our theories to both champion and strive for innovation and cutting edge in form, form and content.

c) To attempt a formulation of a pure love for cinema, a middle ground between the pseudo intellect of the snobs, and the ignorance of the unknowing, and attempt to mobilize their film loves to this new ground.

d) To attempt a critical theory that moves beyond the supply of the story and the statistical rating points.

e) To observe, notice, and champion upcoming films, filmmakers, and technicians, who remain obscured in the looming shadows of commerce and a faux parallel cinema.

f) To champion cinema that creates dissonance, repulsion, interpretation, confusion and discussion rather than loud claps, whistles and scrupulous satisfaction

g) To work towards a film love which adopts a middle ground, to reinstate the cinema director to his deserved position, to celebrate Indian cinema of the past and the present, to examine its potential, we propose ''The Delhi manifesto.”
- A Delhi Suburb, 1st Jan 2009

SIGN IN:-
People who agree and think we are in need of a dire change.In the way our cinema, our social realm functions, support us.Leave a comment with your name/profession/country to add to the list and spread the word.The vote of support is open to the world.

Signatories

1) Supriya Suri
2) Satyam
3) Kshitiz Anand
4) Ronnie Sen
5) Anuj Malhotra
6) Ankit Choudhary
7) Indranil Kashyap
8) Srikanth Srinivasn
9) Nitesh Rohit
10)Himanshu Rai
11)...

Being Himanshu Rai

You cannot imagine what it feels to stuck into the body of Himanshu Rai. It is like burning desire to become free from the clutches of emotional attachment. To carve a niche for something, neither fame nor money. It is constant pursuit to search for true meaning of life. The abstract feeling of escapism with the relations, materialism and world. Something inside is pushing me to rebel against mundane and sensible.

On seeing images, videos or natural beauty, a feel of transformation through barriers of time and space is achieved. The characters of the image get me hooked to their life through emotions. I rise and fall with their hopes, dreams and struggle.

We have become vast in our information about past and future but our present has become limited somewhere during this process of discovering time. Time experience becomes relative and feeling of pulse/second arises i.e. I became time conscious. When you are trapped in a remote situation, there is loss of sense of time and place in mind. An urge to run away or hide emerges from inside. Sense of what a wonderful world just sublimes away!!!

I was born in Neverland, traveled far in Bohemia, searching for Terabethia and want to die in Utopia. My body is rigid at one place but my sub-conscious(soul) wanders like Yayaver [A Hindi word, meaning an avid traveler.. or rather a person who is constantly on move ] in divine space filled with ideas. I am in Transit world traveling through time and universe. This world is cruel place where bullets are more exchanged than ideas. People preserve dead but ignore the living around them. Just want to say: Good bye cruel and chaotic world filled with everything but for whom ? Cosmos only.

From pages of diary--

Zerkalo(Mirror) : I am watching mirror at this moment of late night. Chaotic hair style, rough beard (facial hairs), untrimmed mustache and philosophical gesture adds charm in it. I am amazed by the sharp smile which seldom appears on my face. I look deep into my reflection of my eyes and feel the unlimited potential in myself. Now, the mirror takes me through it into deep and uncorrupted part of my soul/consciousness.

I am thrilled by thundering of ideas with a tinge of vanity inside chaotic mind. Then a sudden vacuum appears. Solitude inside me suddenly grows infinite in the silence. First vanity, then feeling of nothingness appears in mirror. I do not become mere observing protagonist but converts into the butterfly of chaos theory. Walls of time surrounds me before a feeling that we are more than a speck of sand in the universe.

I am not even bored by gazing a familiar face again and again. But the feeling of being just a stalker in present haunts me to do something. Everything will be lost in time. Only infinite and zero will prevail in future of nothingness....