G 9 at ITBHU

This work is an art of pure imagination and any relation to dead or alive individual is purely coincidental. Any similarity with real human can be considered as pure coincidence.This jingo is so common in bollywood unlike hollywood movies but it can work here very well for my protection. I have pulverized the facts with fiction but this story can be confirmed unofficially from any alumnus of our esteemed college.

This is not an urban legend traveling in the lanes of ITBHU. G9 is not any mythical term coined by me. It consist of 9 distinguished teachers grouped together for greater good of majority. G9 had been constituted by 9 people who are still living legends in their own backyard of BHU. But, it is a taboo to speak about them in the department. I was astonished by the fact that even blogs and social networking websites (orkut, facebook or Linkedin) do not have any mention of them. It was their charm or horrifying Deja-vu.

I am not mocking at them through public blog. They are well respected gentle and elder men. I RESPECT them for their concerns about degrading morals and academically uninterested students. I just want to give "Jhaadu ke Jhappe" to group G9. They really need a big hug from all of the IT students. I am not sure of the instant reaction but they will behave different after 1000 hugs. There is a dashing line in the movie 'The Dark Knight': You die as a hero or live long to see yourself becoming villain. It can be molded for them as : You live at a place for short time like a hero or live long there to see yourself becoming villain in the eyes of the coming generation. Cafeteria table reserved in student section by a privileged group of teacher is living example of this quotation.

PCU is (now retired) the prominent name in this pseudo group. Either, I do not know the names of other persons or (even if know) I will not reveal in the blog land. Discipline is their weapon of mass destruction of moral of uneducated (non learning technical engineering student). Solution to the problem of unwillingness of students to study as geek was devised by screwing them with grades and compulsory attendance. Fakka is also used by them for breaking heart of a rebel student. This solution can achieve short term focus on study with uni focal on theoretical (no tutorials) subject. But long term loss is immense. With that mode of teaching, student moves away from the learning and shifted its focus on shortcut route of success. He/she consider these well wishers as their enemy.

An environment of fear clumping discipline is made in the department. Lack of conversation and feedback from each other creates a communication gap between student and teachers. Knowledge can only pass through bridge between them; Questioning of authority by students is taken as negative perceptive in this group. For your update, Disciplinary committee (DISCO) constitute of majority of members from this G9.

Point to Note: Discipline cannot be imposed on anyone against his/her will, especially on adults. Discipline is a self applied phenomenon. Disraeli had quoted ''You cannot make men virtuous by acts of parliaments''. A student should fear from administration only on violation of rules. Nothing less than this should be accepted. Respecting teachers is important virtue of the student. Few teachers tend to demand it from students. Respect can only be earned by command not demand. Command comes from knowledge and compassion, not from the whip.

An Engineering student tends to enjoy the personal life and do not pay attention to the academics. A sincere student spoiled his one year in the rough IT culture. He meets several asshole suggesting minimum studies and maximum enjoyment is mantra for success. The seniors (in majority) misguide the fresher about relation in academics and extra curricular activities. But, it is also necessary for nerds to learn few tricks for development in personality (mainly presentation and communication skills).

In second year, some unfortunates enter into mechanical department. Wase bhi, Mechanical department is more cussed fore lesser grades and strict professors than any other department irrespective of engineering college. It is really hard now on to move with shrewdness in studies. Wisdom and Silence hatches more grades in department. The wit and smartness will gain unnecessary attention and doom you into on 3 year (for lucky ones) of failures and frustration.

"People related to Education often complain - at least, professors do -- that young people do not read anymore. But that is not true. They read all the time but they do not read books or long texts. For the most part, presses and journals as they now exist do not serve the interests of intellectual or cultural development. To the contrary, their proliferation is symptomatic of increasing hyper-specialization in which there is more and more about less and less."

My wish: We really need role models and guidance by lenient means for career growth in engineering days. Enter into the Mechanical engineering department and name of heroes like Ravi Kalsaria and Sripati Sah must spring in the young minds. Only those can give more inspiration and push students to dream and achieve big in their life and career.

This line is written on the old Identity card of BHU;Dedicated by me for those teachers who impose discipline rather than guiding young souls for self discipline.- "The most reliant and self governing person is always under discipline:and the more perfect the discipline,the higher will be his/her moral conditions.-M.M.M."

No hard feelings....

Talent in Indian Cinema

Before globalization, most of our Indian companies were run by families of Lala and Seths.They do not give preference to talent and people always end up doing Ji Huzoori, unless fresh talent happened to be connected. After opening of market,not many of those companies survived. Same story can be projected here. Barring few, not many will survive in bollywood in coming future. Times are changing.

Film making has became family business here. The bitter truth is that Bollywood of late has become Fortress Bollywood, shutting off its doors to non-filmi people. They are leaving out a wide section of society aspiring their career in this line.

Family rules despite lack of talent.
Bollywood is full of star parevaar like mafia families of 'The Godfather'.The Kapoors. The Deols. The Bachchans. The Roshans. The Khans. The Bollywood firmament is crowded with stars with the same surname. Apart from perpetuating fan following across generations, they make wonderfully symmetrical photo ops at the film magazines,awards and entertainment channels. Kumar Gaurav, Rajeev Goswami, Kunal Goswami, Suneil Anand, Faisal Khan, Pururaj Kumar, Sanjay Kapoor, Armaan Kohli & Uday Chopra... (the list continues) for those family members who fails in achieving goodwill of Indian public. Otherwise scenario would have been different and worse. Launch and relaunch of them through various means is well spread epidemic of our Bollywood.

Now let us talk about film makers.There is an entire breed of young directors who have been born into film families, the well-networked families and have easy access to almost the entire talent that the Indian film industry has to offer. what new talent have they given us? They take an SRK when he is a star. Not the SRK of 1991,the struggler one....

People with connections, rich dads, beautiful faces, pedigree find it easier to make in Bollywood. Kowtowing is performed and rumors of social service to acquire a role is always heard here. Any hero/heroine without Godfather or Sugar Daddy cannot stand in the rat race of fame and glory. Stereotype casting of good actors is waste of huge talent. Bollywood is full of babes. Every Miss India winner these days has a fair shot at making it in tinsel town if she keeps off the potato chips. Otherwise, there is enough demand from makers of hot & remix music videos.Ash - often denounced as 'plastic' and 'facile - indeed became a pioneer even though within a shabbily maintained bollywood standard of things.She has now become face of the nation and currently work with B grade directors of Hollywood and media (only Indian) creates the myth of her charm over firangees.

New wave in Bollywood
Today Mahesh Bhatt and RGV can be credited for bringing new talent on and off the screen. Aside: Whatever Ramgopal Varma may have degenerated today, he must be commended respect for giving break to all the newcomers. At the height of his career, the factory of RGV had consistently backed fresh talents in each aspect of film making.

Riskbearer Directors are hard breed to find these days but some directors are ready to experiment like hell. Some take their own time. New directors are projecting the globalization Hindi cinema and the liberalization of India. Never will quality cinema can take place of mainstream cinema or vice-versa.But for the growth of Indian cinema, the experimentation is necessary. Anurag Kashyap, Abbas Tyrewala, Raju Hirani, Vishal Bhardwaj, Rakeysh Mehra, Shimit Amin, Nagesh Kukkunoor, Dibaker Banerjee and Sriram Raghvan are the new talents to be watched in the future.

The Middle Path
When Vishal Bharadwaj makes a rural film (Omkara) with big stars, he beautifully mixed Deepak with Saif, Ajay, Kareena, Konkona and gang. How he took Shweta in Makdee. How, after the success of Hyderabad Blues, Nagesh chose to work with a newcomer in the lead role and wonderfully added Naseer as a support. This is the right way for our cinema.

Admiration of off-beat films with new faces and experiments are expected from this industry. The wonders of a Pankaj Kapur, Pavan Malhotra, Manoj Bajpai, Ranvir Shorey, Deepak Dobriyal or a rank, bloody-talented newcomer is still untapped for world cinema viewers. Some as-yet faceless cinephiles in some deep pockets of India can screw their heads and ask why? Unfairness - this is hardest to deal with, but unfortunately that is how our country works,not just only bollywood. Hence, luck and chance are needed for new comers with talent.

And if all else fails, there is the one-liner of the decade for the sarcasm. The man who worked with stars only,Karan Johar: comes on the Filmfare Awards stage and says, "Heere ka kadar sirf johri kar sakta hain. Aur hero ka kadar sirf Johar hi kar sakta hain..."

Star vs Actor

"A viewer who has been addicted by melodramatic Bollywood dramas hardly have an understanding of good and bad cinema.The sudden change in mood for cinema something that challenges the viewership and demands certain intelligence requires time and patience to adapt and get used to such kind of films. Mythological characters laid the roots for ‘Idol-worship’ in Indian cinema that has continued to be an important aspect of identification for the Indian audience with cinema. When audiences watched their beloved mythology came alive on screen, the first seeds of ‘fascination’ and ‘love’ without a critical space became etched in our genes. Ever since, the admiration for stars on cine screen has grown by leaps and bounds. "(reference)

The love of cinema in India can be seen from two basic divisions:
1) Star "Idol" worship2) Actor admiration by Cinephiles

A star is a person who continues to be interesting even when he is not doing anything. An actor is a person who has to act (but of course!) to be interesting. Stars cannot be confused with their real life personas but these personas are important. Stars had managed the anxieties that people experience during times of such rapid change that we have lived through. his over-acting and mannerisms which so many people love to hate made him special.All that quivering and crying represented at a subliminal level the tremendous emotional upheaval that accompanies such radical changes. otherwise these films would have been empty consumerist fantasies! but the excessive and melodramatic emotions communicated the “pain” of these changing times even as the happy endings promised a better future.

Every era or region of Indian cinema has a star and actor pair.Bengali and Tamil cinema provide the best examples. The iconic pairs – of Uttam Kumar & Soumitra Chatterjee and Rajanikanth & Kamal Hasan – remain the subject of heated debates. Dilip Kumar was the actor while Dev Anand was the star. The former charmed audiences with dramatic pauses and natural tears while the latter’s puffy hair, scarves and 6:05 tilt held men and women in awe!Subsequently, when Amitabh Bachchan strode the industry like a Colossus, the actors of his generation got completely overshadowed and ended up in parallel cinema :Om Puri and Naseeruddin Shah, for example. Today,same thing is repeated with Rahul Bose,Kay Kay Menon,Irfan Khan and Konkana Sen Sharma overshadowed by Khans. Sometimes there is complete mis-use of some fantastic acting talent in insignificant and underdeveloped characters. I could name a few examples, but the worst had to be “Aaja Nachle” where Ranvir Shorey, Vinay Pathak and worst of all Irrfan Khan were completely wasted!

Bollywood Masala films are mainly running on the faces of their stars but the circus around the ‘star’ has been running around for such a long time that the relation with the art form is lost.There is no ‘Method Acting’ in star's performances on screen – just madness in the name of art and fun in the name of chaos.There is almost no relation with the content and the story flow. Hence the dialogues, set-pieces and gags which are an integral part in building the blocks of narrative rhythm do not exist due to which there is no building of characterization, emotions or development of pace.

To my feeling, star system harms the cinema when stars are taken in repetitive roles all the time. This stops their growth as actors and it hinders the growth of cinema also because much of the money available in the film industry is available to the films having big stars.It really does not matter if a director always makes a film with a particular star/actor as long as he has interesting subjects and characters to present that star/actor. All good directors have been working with few faces only in the lead roles but they give different characters to their favourite actors and don't repeat them.

If a story can be shown by a known star face then in the following weeks people rush to the cinema halls after knowing the merits of the film.This is their prerogative to select any star to present their stories. End results will always be analyzed later.Repetition in films like medium will never get respect because it removes the trace of unpredictability from the cinema. Genuine emotion and effortless acting are rare in Bollywood and must be preserved either by a star or an actor.For detail and original cause of discussion,link is here;