एक बूँद सहसा उछल जाती है, और रुके हुए पानी में गतिमान तरंग बनती हैं.. एक ऐसा ही प्रयास है यह....
Saturday, January 3, 2009
Riskbearer Producers
The reason behind a Karan Johar a Farhan Akhtar, Rohan Sippy etc going behind big stars with whom they are comfortable with is not only about making money- but also the kind of pressure on them to succeed and comparison to their family members. If anyone have SRK or Akshay or Big B available and ready to work with them and why wouldn’t work with them.
Secondly, every new and also many an experienced director is repeatedly asked for an actor’s approval for a film by the producer before he decides to finance it. Why would any director who wanted finance and had best buddy SRK on his ’speed dail’ do in this case when hiring SRK could create boxoffice hit and a new talent a risk no one would like to take? So it’s really not a lack of commitment that makes the star-kid go for bankable stars in their kitty. They have insecurities of their own.
Team selection may not be only merit based but depends on personal rapport. It works.Why cant they mix two 40cr films with one 10 cr experiment? It is no dent to them! Make all your K films. It is these ‘money making’ films which let people make smaller experimental films. I also watch and love them. But add something new to your bouquet... The point is, choose an actor that suits the character. Not write for someone you have already decided to take. There is a lot of difference.
Only these giants are the ones who can afford taking economic risks more than the others. As long as Karan Johar or Aditya Chopra or Suraj Barjatya or any director in this club of rich and powerful directors/producers, are willing to present their chsoen stars in different roles, everything is fine.
Many people have managed balancing the act. But I talk from the Producer’s perspective. Shah Rukh has managed doing a Chak De and Swades with an OSO and RNBDJ. Aamir has done a TZP and Mangal Pandey with a Fanaa. And box office failures of 1-2 films will not affect SRK or Aamir personally. They will always keep getting films. The Producers whose risk taking threshold is higher can be the torchbearers of change. That’s all that I wish an begin happening...
Popcorn Movie Lover to Cinephile
Bollywood and Cricket culture is here in Indian same as Hollywood and Baseball in america. But unlike modern American history, Bollywood is not something you can squeeze in just one lifetime. It is in genes of movie watchers.But a new trend is happening here in recent past. Bollywood totally losing its touch with the Hindi heartland and instead catering to the multiplex-going city slickers. The latest India Today calls it the 'popcorn' movie trend - films specially conceived and designed for the youth which, today, is the highest spending demographic. Young people - and even older folks, families - are going to the movies because it is 'something to do'. In this country we don't have baseball games or any other weekend sporting events(Currently IPL). Well, often a movie gets just 3 stars out of 5 but junta goes to see it because it's 'good time pass'. We don't have a clubbing culture. After 5 days of BPO or IT culture, weekends are just part of great consumer culture.
IT revolution lead to the rise of Internet and mobile culture with people attached to the technology. There are lot of films downloaded over the Internet that forms an important growth of watching films, sharing films along with music in colleges in India. Students across India; consciously or unconsciously watch tons of films from all over the world. Then they feel the shock impact that a lot is happening in the world of cinema and why are we not there. I have felt the same PAIN and AGONY.
All these aspects has lead to the growth and ‘Appreciation of Cinema’ in the country, where people are getting aware about watching good films and not just sticking to watching routine Bollywood fare. These groups of people mainly belong to the urban class. The urban class of film lover notably refers to people leaving in the metros in India because they have the facilities and the accessibility to watch foreign films in theaters, film festivals, and in their own homes.
Today foreign films are released in theatres and Film titles are available in the market, and there are 24hrs satellite TV showing not just Bollywood or Hollywood but World Movies. NDTV Lumiere is releasing foreign language films in India, World movies is up and running, palador and ndtv lumiere again releasing great titles on DVD. Independent films are clicking their space inch by inch with coming years. There is light shining at the end of the tunnel.......
As Indian Cinema needs a support (who love the medium- Cinephile), and not just another SRK fan clubs. Since the importance of such fan clubs or critical look at filmmakers could only hold importance when compared on the overall merit of the 'Indian Film Industry,' since Cinema in India also exist beyond the boundaries and clutches of Bollywood.
Bollywood Award Ceremonies
Starting from the 1950's, Filmfare Awards continue to remain the Big Daddy of Indian film awards - probably because no other award has the might as big as that of Times of India behind it. Long before the Filmfare nominations became the subject of nationwide debate and controversy, it was more of an exercise in bonhomie than any serious competition between actors. Anil Kapoor was given a prize for Beta, which was announced (by Dimple Kapadia) without opening the envelope! . It is one of the most blatantly rigged prizes in the history of film awards.This angered Aamir Khan (in the running for Jo Jeet Wohi Sikandar) so much that he has boycotted the awards ever since!
We have now IFFA award each year (not staged in India) and only bollywood films are in contest with the brand name of Indian film federation awards. No regional language films other than pure commercial bollywood flick can enter the competition. And they call it Indian film awards. A real tribute to diversity of India.Hail Preetesh Nandy!!!
Tuesday, December 30, 2008
Think Global and Act Local
An individual in masses learn when he has single choice or no choice. Otherwise, if anyone learn for the sake of knowledge,the future belong to that individual. He/She is termed as intellect in the society. Intellect learn to adapt and evolve for future. Thinking is affected by cultural heritage and inheritance. For better future, the man will travel far from his home land to other places.
There was stagnation prior to colonization. Only trade and clashes of civilization brings us together. With the growing economies, U.S.A. and U.K. were two primary nation prevailing in the power game. They attract man power from all over the world. Europe is new model as Indian subcontinent for diversity.
Nationalism to internationalism are coming in scene with constant exchange program between scholars and MNC's. Mobility factor of capital as well as labor came with the industrial revolution. Revolution in transport and communication has lessened the distances between human across the world. Global villa dream is coming true.
Bottomline:Think Global and Act Local is new Corporate Mantra.
What is wrong with Media?
India is a country of paradox or paradigm. The relief work in bihar floods was well covered by media. Citizen Journalist and Zindagi Live on IBN7 were only two programs worth watching these days. IBN7 is first Indian media company to start official blogs for journalist and editors. This step is worth welcome.
A phrase is much popular in India: "Fame makes everyone an expert in everything."
Our media reports only these experts on any issues. Drama, Tantrum and TRP ratings play huge role in content of news channel. The English news channel are much better in content and mode of presentation. NDTV 24x7 provides quite balanced coverage of news. Hindi news channel like Sahara Samay, Zee News, IBN 7, India TV, Star News, Aaj Tak and Jain TV are worse in the news coverage and presentation. While Star news give quite a lot of coverage to entertainment package of comedy and India TV preaches jingoism message.Jus check the idiotness of one news channel over here. They don't voice lost cause but serious attention is given to religion, cricket and bollywood.
A death at Agartala must have same effect like a death in other part of India. Sadly, it is not. Media Circus in 14 year old Aarushi and servant Hemraj's murder was really a cause to worry. Considering the kind of questions being asked, over and over and over by the media to person at verge of death or loss of relative in an accident, my personal favorite---'How does it feel'?
Example: The experiment conducted in CERN will cause 'Doomsday' was such a cheap prank (When the LHC is switched on, could it "create a shower of unstable black holes that could 'eat' the planet from within;) but it became a super-breaking news across channels in India.
Crap and over hyped events are produced on the name of fast coverage. Sensational news and random heading of breaking news can make you crazy enough. 24 hour coverage of national news (i.e. entertainment) exist only in India. CNN and BBC are 24 hours channel but international coverage of news is taken there. I was smirking that Indian media is one sensationalized. But then I checked out CNN:"Bush hugs bikini-clad US Olympians".
The Hindi media also erupt in a series of poetic headlines in all situations. "Twenty20 ke sher / Twenty overs mein dher" and "Chhe sau run banane wale chhihattar mein chhitraaye".Link of the match;
People must get what they need not what they want.
I have taken these haunting lines from here"Therefore, the news of an Indian winning an award at Berlin Film Festival needs to be reported, the Jonathan Mann Award for Global Health and Human Rights to Dr. Binyak Sen should be seen and, definitely, the voice of Kashmir should be heard.It’s precisely then there could be a balance between what the audience ‘want’ and what the ‘media’ perceives, because perception in itself is formed out of judgment that is routinely based on surveys and rating. But the mere outline of their ‘research’ is faulty because the mass at large is already blinded that they themselves don’t know what they doing. Since their opinions and perceptions are formed out of ideas and judgment that are routinely formed by the ‘spectacle’ of cinema and television, it gives rise to parochialism; often due to the reiterations of the images projected and opinion transferred through dialogues, as also interviews and text bombarded in terms of superlatives not to mention faux “ Breaking News” blurbs.The word 'Exclusive' and 'Breaking news' have lost their significance due to constant repeatable use at every hour.Even,Images,ads and videos are created and seen more from the point of view of consumerism than as an expression of ideas.So many breakdowns, in so short a span of time.
Interestingly, ‘Idol-worship’ continued to be an important part of the culture: socially and politically, where the ‘matinee’ idol embodied an important place in the minds and heart of film lovers. This ‘spirit’ has continued to grow and today in the age of satellite boom the media has populated the images into a state of fetish (Like offering prayers when their superstar is sick, and the media reports it as breaking news). While a win by a film director, at an important film festival, in the competitive section of the festival goes unreported. This type of fetish is seen across India."
Bottom lime:Look guys, beyond the media roller-coaster of champagne and chappals every human life is priceless. Also Read this covergae about our media achievements in 2008.