
Nobody makes a compromise while making a film. All of them make films according to their predilection and their own value to the system. As a filmmaker, you live in the same world as your audience. Time and place are two great parameters to determine a piece of art. Your work will be reflected on the scale of faith and reason of yours in the object and environment surrounding it. Cinema reflects the dreams, aspirations, and hidden desires of society.
'Parallel' was initiated because true artists could not find their voice in the mainstream. The new wave had started because the previous one was becoming typical and stagnated. It was like revolt (mutation), not reform(evolution), against the old system of values. Most of the parallel cinema in India told of inequalities in society and the endeavor to change the system.
Changing times bring change in society and the content of cinema. Now aspirational side is more credited in cinematic pieces of work than emotional reverberation. The strong moral basis of heroism mentioned in mythologies has become a thing of the dead past. Reaping commercial benefit is the primary concern of films. There is moral blurring in society. In the name of entertainment, humor is replaced by nonsense.
There are universal human emotions, and core values are attached to social relations. Compassion and care for fellow human beings are everywhere in the world. The place and orientation of watching a cinema may change, but not its message and beauty.
One makes a film because one derives joy from the performances. But one should always remember that social engagement is an important part of work as individual identity.