Books read in 2017
In the brief prose piece, The Four Cycles, Jorge Luis Borges wrote that there are only four stories in the world: the story of war, the story of return, the story of search, and the story of sacrifice (Troy, Ulysses, Jason, Christ).
If Borges is right, then literature is not a museum of endless novelty so much as a chamber of recurring forms. What changes is not the underlying plot of human life, but the cultural machinery that gives those plots their authority—what makes war feel righteous, return feel inevitable, search feel sacred, sacrifice feel meaningful. That machinery is very often myth.
Rich cultures—with their myths, religious narratives, heroic histories, and rituals—offer especially thick symbolic resources to legitimize rule, sacralize authority, and frame dissent as betrayal of the civilization itself. Mythical stories such as these refuse to see the past as fundamentally different from the present. People accept and assimilate myths, they act on the myths, and the myths become the basis for actions that shape history.
Yet the strange thing about myths is that their power does not depend on their literal credibility. To get rid of the things I certainly do not need. Myths are interesting stories, and sometimes they even have a basis in fact. The stories were bizarre and had absolutely no connection to the real world. Even a child found them very unrealistic. And still—people live by them, argue through them, and defend themselves with them, because the force of myth is rarely the force of proof.
It is myth, not a mandate; fable, not a logic; and symbol, rather than a reason, by which men are moved. – Irwin Edman
In that sense, mythology teaches something both unsettling and practical: that what a society calls “truth” is often a negotiated story backed by consensus, repeated until it feels like nature. What do we learn from mythology? Every rule, every value, was created by the consensus of adults, and adults will discard those rules and values when it suits them.
And this is why myth does not disappear in the modern world; it mutates. There is Sword and sorcery fantasy, while seemingly escapist, explores timeless human conflicts and moral questions through mythic elements and archetypal storytelling. The costumes change, the setting changes, the vocabulary changes—but the old four cycles remain: war, return, search, sacrifice.
Books especially dealing with mythical/sci-fiction/adventure genre make us capable, but it is also true that we have to become capable of understanding books. Understanding books requires more than just age; it requires wisdom and experience. Age doesn't only refer to physical state but to understanding and experience.
~Highly Recommended~
- The Lord of the Rings- J.R.R. Tolkien
- I Know Why the Caged Bird Sings (Maya Angelou's Autobiography) - Maya Angelou
~Worth a Look~
- Taliban: Militant Islam, Oil and Fundamentalism in Central Asia - Ahmed Rashid
- The White Tiger - Aravind Adiga
- Sahir Ludhianvi,The people's poet - Akshay Manwani 4
- Lucknow Boy: A Memoir - Vinod Mehta
- Unreal Elections - C.S. Krishna
- Does He Know a Mother's Heart: How Suffering Refutes Religions - Arun Shourie
~Pleasure Reading~
- The Cuckoo's Calling (Cormoran Strike, #1) - Robert Galbraith
- Anansi Boys - Neil Gaiman
- The Silkworm (Cormoran Strike, #2) - Robert Galbraith
~Avoid~
- सोमनाथ [Somnath] - Acharya Chatursen
- Scion of Ikshvaku (Ram Chandra, #1) - Amish Tripathi
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